Giving Thanks, Y’all

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The Indigo Girls, Amy Ray and Emily Saliers, say “thanks, y’all” after each song and at the end of each concert.

I figure it’s time I thanked them back.

Table of Contents (Click to Expand)

Thanks, Y’all, for “Watershed”

When I’m dreading making a decision, or wondering if I’ve made the right one, “Watershed” reminds me that:

Up on the watershed

Standing at the fork in the road

You can stand there and agonize

‘Til your agony’s your heaviest load

Your lyrics come to me in times of decision paralysis—unable to decide or act on something not just because I’m afraid of failure, but also that the outcome won’t be perfect.

Taking the first step might be uncomfortable, but it’s better than the misery of doing nothing.

The next part of the chorus comforts me when I’ve made a bad decision, regret not making a different decision, or compare the decisions I’ve made to those of others’. You sing:

You’ll never fly as the crow flies

Get used to a country mile

When you’re learning to face

The path at your pace

Every choice is worth your while

Thanks, Y’all, for the Word “Clean-Slated”

The best participial adjective formed by conversion from a noun phrase ever!

Thanks, Y’all, for Defying Classification

Genre is a construct made to be broken—and that’s what you’ve done over and over again.1

Contemporary folk music? You’re so much more!

Where would I even shelve your CDs if I ran a music store? With Bruce Springsteen or Joni Mitchell? With Patti Smith or Carole King? You’ve collaborated with the likes of Pink and Michael Stipe, and performed with symphony orchestras.

A band playing in front of a rock wall.
At Red Rocks

Thanks, Y’all, for “Galileo”

And then you had to bring up reincarnation over a couple of beers the other night …

Thanks, Y’all, for the Best Cover Song Ever

Amy, you own “Romeo and Juliet” just as Johnny Cash owns “Hurt.” You discovered and excavated the deep vein of pain lying far beneath the surface of the original song.

A musician playing a guitar.
Amy rocks Red Rocks

Thanks, Y’all, for ”Closer to Fine”

I spend four years prospering to the higher mind at the same college you did, but I never saw a doctor of philosophy with a poster of Rasputin and a beard down to his knees!

“Closer to Fine” is the first song of yours that I remember hearing. The idea that there may not be answers—clear ones, at least—to life’s biggest questions stays with me to this day.

There’s more than one answer to these questions

Pointing me in a crooked line

And the less I seek my source for some definitive

Closer I am to fine

Thanks, Y’all, for Being Queer

I love “Born This Way” as much as the next gay man (we’re required to, by law) but anthems like that hardly represent the complications and contractions of the LGBTQ experience.

I’ve definitely felt the loneliness, longing, and feeling of being left out you capture wistfully “Country Radio.”

I wanna be that boy, I wanna be that girl

I wanna know what it’s like to fall in love

Like most of the rest of the world

But as far as these songs will take me is as far as I’ll go

I’m just a gay kid in a small town

Who loves country radio

Your “Romeo and Juliet” is sung to a woman. “Power of Two” is universal but hums with LGBTQ energy. And, Amy, I can’t imagine anyone but you nailing the right combination of swagger and fluster in this line from “Shame On You”:

The beautiful ladies walk right by

You know I never know what to say

In “It’s Alright,” you show quiet resolve:

I look at the fires of hatred

Burning up the bounty of this beautiful land

I know I’m small in a way, but I know I’m strong

And this line from “Trouble”? Chef’s kiss.

And when the clergy take a vote, all the gays will pay again

Yeah, ’cause there’s more than one kind of criminal white collar

Two musicians playing guitars on stage.
At Red Rocks

Thanks, Y’all, for “Chickenman”

I was on the road to Austin

Met a man on the highway

He sold me junk and conversation

He was wise and dirty from the weather

I said darkness into darkness

All the carnage of my journeys

Makes it harder to be living

He said it’s a long road to be forgiven

Not sure where we’re going with this song, but I’m coming along for the ride.

Thanks, Y’all, for Rites of Passage

My desert island disc. If I have this, I don’t need seven more.

Three musicians on a dark stage.
In Clearwater

Thanks, Y’all, for the Most Honest Love Song Ever

I’m referring to “Power of Two,” of course:

Now we’re talking about a difficult thing

And your eyes are getting wet

Not a pretty image, but a real one. You continue:

But I took us for better and I took us for worse

Don’t you ever forget it

Now the steel bars between me and a promise

Suddenly bend with ease

The closer I’m bound in love to you

The closer I am to free

Thanks, Y’all, for Playing Red Rocks

Last week, you were in the right place at the right time. I’ve had a rough few weeks and seeing your show was a kind of catharsis. (I was the guy in the seventh row, wearing an Emory Football T-shirt2 and singing much too loudly. Remember?)

A smiling mustachioed man in an outdoor arena with rock formations in the background.
Waiting for you to come on stage.

Thanks, Y’all, for Everything

And the best thing you’ve ever done for me

Is to help me take my life less seriously

It’s only life after all, yeah

Playlists

Songs From This Blog Post

Red Rocks Setlist (July 25, 2025)

The Power of Two Footnotes

  1. Judith Butler, if you’re reading this, please don’t get mad at me for misquoting you. ↩︎
  2. Still undefeated! ↩︎