In 1943, Ludwig Mies van der Rohe envisioned a space that would:
… establish the museum as a center for the enjoyment, not the interment, of art … erasing the barrier between the work of art and the living community.
Mies van der Rohe MoMA Exhibition Guide, 1947
Mies never built such a place, but Noah Purifoy did. And while Mies might be considered one of the fathers of modern architecture, he didn’t have the balls to do what Purifoy did.
Get your mind out of the gutter. Purifoy, a groundbreaking visual artist, is best known for sculpting with found objects—like bowling balls. And old tires and dinner trays. Even toilets.
Lots and lots of toilets.
A Gallery Tour, Sans Gallery
The Noah Purifoy Outdoor Desert Art Museum was the last stop on my brief visit to Joshua Tree last month.1 It realizes Mies’ vision of art galleries without boundaries. Actually, it goes a step further, in fact, as Mies was referring to building design and Purifoy didn’t see a need for a building at all.
The museum is a conundrum of a place—an anomalous yet integral part of the desert. I couldn’t help think that it’s something that shouldn’t exist there, yet was always meant to be there.2
Let’s take a look around!










Some Parting Thoughts (From People Smarter Than I)
FYI, that header is grammatically correct.3
It’s not where you take things from—it’s where you take them to.
Jean-Luc Godard
I do not wish to be an artist, I only wish that art enables me to be.
Noah Purifoy
You Found the Footnotes
- Check out the posts on stargazing and visiting the national park. ↩︎
- Like pickles and ranch dressing on pizza. ↩︎
- Me fail English? That’s unpossible. ↩︎